Aminder Virdee

She/Her
Artist, Technologist, Writer, Facilitator, Activist, Founder of DIVA and Co-founder of Cripjoy

Award category:

Visual Arts, Fashion and Design

Aminder Virdee is a South Asian transdisciplinary artist, creative justice and arts facilitator, writer, filmmaker, and consultant. From 2019 to 2024, she was a Trustee for Attitude is Everything, the UK’s leading disability-led organisation focused on live music accessibility. In this role, Virdee championed intersectional change, introducing trauma-informed mental health practices and safeguarding policies for staff, participants, and audiences, focusing on amplifying Black and Brown-disabled voices in the arts.

Virdee’s artistic practice is informed by intersectionality, autoethnography, disability justice, crip technoscience, decolonisation, and magical realism. Her work centres on creative acts of

justice—reclamation, resistance, and cross-movement solidarity—rooted in her quadruple-marginalised identity and the collective experiences of the communities she intersects. Virdee’s artistic practice is informed by intersectionality, autoethnography, disability justice, crip technoscience, decolonisation, and magical realism. Her work centres on creative acts of justice—specifically reclamation, resistance, and cross-movement solidarity—rooted in her quadruple-marginalised identity and the collective experiences of the communities she intersects. Her transdisciplinary approach blends art forms, materials, media, STEM practices, and theories. This adaptable, kaleidoscopic methodology serves as an accessible tool for re-worlding and dismantling oppressive norms through art.

Virdee’s work has been exhibited, screened, and performed internationally, including at National Gallery X—where she was described as “one of the most underrepresented radical artists of our time”—TATE Exchange at TATE Modern, Ars Electronica, European Film Festival, Lyric Theatre Hammersmith, Culture Hub New York and the Attenborough Art Centre. In 2023, she received Arts Council England’s ‘Developing Your Creative Practice’ grant, which she has postponed until 2025 due to health reasons. Her audiovisual work, “KaleidoSkeleton Ti: The Desi Cyborg” (2020–21), was showcased at the European Film Festival and described by the British Film Institute’s Sight and Sound magazine as one of the “most moving experimental works” of 2021.

As a writer, Virdee has contributed articles for Disability Arts Online and authored the paper ‘Staring Back: Hacking Intersectional Oppression through Eco-Crip: Cybotanical Futures’, published in the prestigious Leonardo journal (Volume 57, Issue 2) by MIT Press, a leading international journal on arts, science, and technology.

Virdee is the creator, co-writer, lived experience and inclusion consultant, and director’s attachment for the short film ‘My Eyes Are Up Here’ (2022), based on a day in Virdee’s life when she was 19. Funded by the BBC and BFI, and starring Jillian Mercado, the film has been featured in over 20 prestigious international film festivals, including the BFI London Film Festival 2022, London Short Film Festival 2023, Tribeca Film Festival 2023 (NYC), and Sundance Film Festival 2023. Virdee and her team received multiple awards, including the “Woman’s Voice Award” and “Best of the Festival Award” at the BIFA-qualifying Beeston Film Festival in 2023. In late 2023, Virdee was awarded the title of ‘Film London Lodestar’, an honour celebrating and amplifying London-based creatives, filmmakers, and craftspeople who are expected to lead the creative industry in the future.

Virdee’s consultancy and activism work spans 17 years across the arts, media, film, publishing, and other sectors. Beginning at 18 as a London Ambassador for the Muscular Dystrophy Campaign’s Trailblazer Network, she was recognised with the Merrill Lynch Local Hero Neighbourhood Excellence Initiative Award in 2012 for her leadership in disability campaigns, her role as chair of regional and APPG meetings and as a media spokesperson. As an arts professional and panel speaker, Virdee has shared her lived experience and insights on art and justice at events hosted by institutions such as the National Gallery.

Passionate about intersectional social and disability justice, Virdee frequently speaks at panels and seminars, addressing disability justice, diversity, and equity, and developing strategies for authentic inclusion. She has consulted on disability representation and imagery in schools, boards, seminars, and events, including the London Book Fair and Royal Holloway University for Disabled Students UK. Her contributions extend to children’s literature, including Max the Champion (2013) with Inclusive Minds UK.

Virdee furthered her advocacy by founding DIVA (Disabled Intersectional Voices in the Arts), a disabled, neurodivergent, Black and Brown-led network dedicated generating sites of creative justice, artivism, resistance, and community connection against institutional and systemic intersectional discrimination, specifically ableism. She also one of the founding members of CripJoy, a transnational, majority-BIPOC community of practice re-worlding mental health through an intersectional, anti-ableist, and anti-sanist lens (other founding members: Sulaiman R. Khan and Josh A. Halstead).

From 2016 to 2019, Virdee served as an Arts Educator at Cranford Community College through the National Saturday Arts and Design Club (based at Somerset House, London, and founded by Sir and Lady Sorrell). She curated art curricula for students aged 13–16, introduced innovative teaching methods to enhance understanding, guided students through sustainable strategies towards a career in the arts, used art as a medium to explore politics and diversity, and led gallery visits, events, and masterclasses, including a behind-the-scenes session at the English National Opera.

After 17 years of navigating art and activism while confronting racism, ableism, sexism, classism, and ageism, being recognised in Disability Power 2024 feels like an affirmation of the resilience and strength within our intersectional communities. It motivates me to continue dismantling systemic ableism and fighting against the silencing and marginalisation that so many of us still face.

Q&A

Aminder Virdee
My advice is to disabled people, especially disabled people/creatives of colour, also navigating intersectional oppressions: You, your voice and your perspective are unique and invaluable. Surround yourself with allies who respect your boundaries, advocate unapologetically, and never be afraid to reimagine spaces that don’t serve you.
My work has amplified intersectional disability justice, particularly for Black and Brown-disabled individuals, through art, advocacy, and community-building. By creating platforms like DIVA and CripJoy, I’ve helped generate spaces for creative justice, mental health re-worlding, and artivism, while challenging systemic discrimination. My artwork, films, exhibitions, and educational efforts have also opened dialogues on inclusion, representation, and accessibility.
My aspirations include creating more sociopolitical art that amplifies my lived experiences as a quadruple-marginalised person and reflects the collective experiences of the communities I intersect. I envision expanding DIVA to support more disabled artists and creatives, including leading creative justice initiatives, art programmes and groups, and pan-impairment creative wellbeing workshops. I aim to continue consulting to drive transformative changes in creative sector policies on inclusion and accessibility. Additionally, through DIVA, I plan to mentor emerging disabled artists and activists, ensuring the next generation has the tools to navigate and dismantle barriers.
Switching off for me often means immersing myself in art, music, reading (currently obsessed with sci-fi mysteries that have a social activism undertone), binge-watching series and films, and spending time with loved ones. When possible, I enjoy slow, walks/rolls in nature, where I can recharge and connect with the environment at my own pace. Spending time with friends, whether in person or online, is also deeply important to me—every interaction brings laughter, joy, support, and love, especially during tough times. Art isn’t just “work” for me; it blurs into my everyday life. Since the age of two, it has been a refuge, a joy, a coping mechanism, and a form of communication through ongoing adversities, including over 21 major surgeries and invasive medical surveillance since birth. As I’m also neurodivergent, I become deeply engrossed in my passions. While multi-media and transmedia art remains one of my greatest joys, I also find fulfilment in other creative pursuits such as cooking, writing, and, in the past, making music when I dabbled in a few punk and blues rock bands.
Both! I love all animals. I had a tortoise, Frankie, who sadly passed away this September after a long battle with metabolic bone disease and chronic illnesses. She was my Crip pal and a huge source of support. So, I can’t choose—I have room in my heart (but probably not my flat) for them all!
So many things! This is a difficult question! I would focus on addressing social injustices. I would dismantle the ableist frameworks entrenched in education, healthcare, employment, finance and the creative sector, with a particular emphasis on tackling intersectional ableism. These structures perpetuate inequality, and transforming them would create more equitable opportunities for disabled people across all areas of life.
Major barriers include systemic ableism, lack of accessible infrastructure, and insufficient representation of disabled voices in leadership roles. Intersectional oppressions affecting disabled people of colour, especially in policy-making and media, must also be addressed. We need transformative approaches to mental health care, employment equity, and inclusive education to ensure meaningful change.
A landscape image of Virdee’s triptych bio-transmedia installation artwork “Eco-Crip: Cybotanical Futures.” Three medical lightboxes exhibits a colourful amalgam of X-rays with prostheses and botanical designs, each featuring a Punjabi script celebrating the wholeness of disabled bodies. The x-ray box on the left depicts a central spine-like structure with flora-based prostheses, accompanied by Punjabi script declaring, “Disabled bodies are sites of resistance”. The x-ray box in the middle exhibits a hip-like structure with a flora-based hip replacement, inscribed with Punjabi script stating, ""Disabled bodies transcend mobility.” The x-ray box on the right presents leafy vertical marks indicative of lower limbs unified with flora-like screws and prostheses, accented by Punjabi script, asserting “Disabled bodies are the future. Image Credit: Artwork and All Rights Reserved © Aminder Virdee. Photograpy of Art Installation: Younkok Choi.

Areas of expertise

Accessibility, Art, photography, Charity, social enterprise, Community, Cross Sector, Disability Advocacy, Education, Equality, Politics, Science, Television, radio, podcast

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Image credits: (professional self-portrait, credit not necessary), Artwork and All Rights Reserved © Aminder Virdee. Photograpy of Art Installation: Younkok Choi.